Don Caballero's American Don (Touch & Go, 2000) was recorded by a trio because Banfield quit the band (and Eric Emm is now on bass). So Don Caballero is slowly mutating into Storm And Stress. So Don Caballero is slowly mutating into Storm And Stress.
Oct 03, 2000 Before, listening to Don Caballero felt similar to being beaten over the head with a huge baseball bat of pure audible genius: often too overwhelming and complicated for your average music listener to listen to for very long, much less understand. With American Don, it seems that the baseball bat has been traded in for a pillow, and instead of beating they are slowly smothering. Don Caballero - American Don (2000) Don Caballero is a mathrock band from Pittsburgh, PA. Their songs are usually based on some kind of looped guitar riff or drum rhythm that evolves throughout the song, creating a very busy and layered sound.
With 2000’s American Don, Pittsburgh natives Don Caballero have crafted the most technically and artfully advanced math rock album, perfecting the little-traveled genre that they helped pioneer seven years earlier as the bastard child of post-hardcore. Members at the time were Ian Williams on guitar, Damon Che on drums and Eric Emm on bass. Steve Albini engineered the album and is responsible for its distinct forceful, physical texture. While conventional instruments make the sounds, the result is anything but. The architects of the distinct approach are blatantly Williams and Che. Williams builds layer after layer of strangely-stitched, tapped guitar lines that shimmer with both harmony and dissonance, simultaneously working as the album’s rhythmic pacing. This frees Che to fill the leading role that a guitar normally takes. Che slams fill after fill, oscillating in and out of Williams’ angular backbone as he throws bright, explosive cymbal splashes and haymaker tom/snare hits that keep the listener permanently off-balance. Emm’s metallic, punchy bass acts as a bridge between guitar and drums, adding focus, color, muscle and body while filling the few frequencies not accounted for.
Despite their breakup very shortly after the release of American Don, Don Caballero had cemented their place as math rock demigods. Contemporary bands like Tera Melos, Giraffes? Giraffes! and Hella took the genre into the direction of chaos and noise, while others like Maps & Atlases and Foals added pop sensibilities to the weird time signatures. It’s nearly impossible to find a band borrowing elements from math rock that doesn’t have Don Caballero’s DNA in their sound, regardless of what else they’ve added to the formula.
Don Caballero has an incredible talent for breaking each song into distinctly separated sections. This structure is accentuated by their constant jumping between time signatures, sometimes switching with each measure. They’re able to build grooves that initially sound inside out, twisted and governed by some complicated, bizarre mathematical relationship. In this way, they share a common bloodline with bands like the Talking Heads. They’re able to both initially perplex and intrigue the listener. You want to examine each voice, each one entirely distinct from its companions, and contemplate their confusing synergy. Eventually, your ears accept it, as the concoction begins to feel more natural.
The Talking Heads comparison falls apart in that the Talking Heads will stay on their groove, allowing eventual comfort, while Don Caballero refuse the listener complacency. Kannagi story in tamil pdf. They allow for a glimpse of understanding in the full scene of the arrangement before beginning to tear away the guitar-looped limbs and rewrite time signatures until only a fragmented motif remains. The journey to understanding begins again as a new section is built from the corpse of the previous one. The progression feels entirely natural as each composition morphs and contorts, but skim through random snippets in any song and all semblances disappear.
To me, the magic of Don Caballero and American Don most notably is in their ability to constantly offer new revelations, no matter your familiarity with the band or the context surrounding them. Initially, you’re thrust into this entirely new dimension of music that sounds completely unique. Your ear catches warped glances of melody like a newborn observing its surroundings; entirely intrigued as the stimulation strikes some primal, previously unfulfilled appetite for sound. These moments resonate inside of you, satisfying a sonic taste that you were previously unaware of, but the reasoning behind beauty in this context is still entirely unknown. Like listening to an impassioned speech in a foreign language, as these moments of beauty drift by, you’re able to latch onto some in an entirely abstract way. You can feel the emotion and empathize on an entirely subconscious level, yet none of these words make any sense. The left side of your brain is rendered entirely useless, but the right side can connect to the speaker on a near telepathic level. There are no words on the album, letting the music express itself in ways unique to each listener. Time spent with the record readies you for the spastically shifting segments and increases awareness of the aural surroundings, strengthening the unexplainable attraction. You become able to deal with the brain’s initial impulse to reject the measures as dissonant and arrhythmic and as a result, more of these mysteriously pleasurable impressions reveal themselves until the entire album feels like a visit to an alternate musical universe, a vacation from music as you’ve become accustomed to.
American Don represents the sublime product created from precise, tight structure dictated by off-kilter, unnatural time signatures, yet the result sounds loose and free from convention in a way that few works of art, let alone music are able to tap into. It’s the intersection between ethos and pathos. This has always felt like math rock’s and Don Caballero’s ultimate goal, and it’s simply awe-inspiring to hear one of the founders of the genre reach this apex of expression.
(Redirected from Gang Banged With a Headache, and Live)
Background information | |
---|---|
Origin | Pittsburgh, Pennsylvania, United States |
Genres |
|
Years active | 1991–1995, 1997–2000, 2003–2009 |
Labels | |
Associated acts |
|
Website | Don Caballero at Relapse.com Don Caballero's official Facebook |
Past members |
|
Don Caballero was an Americaninstrumental rock group from Pittsburgh, Pennsylvania. The group took its name from the character Guy Caballero, portrayed by Joe Flaherty, on the sketch comedy show Second City Television.[2] In SCTV's parody of the film The Godfather, Guy Caballero is called 'Don Caballero'.[3]
Don Caballero (affectionately called 'Don Cab' or 'The Don' by fans[citation needed]) formed in the summer of 1991 and released five albums on Touch and Go Records between 1993 and 2000. The band's almost entirely instrumental sound was centered around drummer Damon Che, who had been the only continuous member. After the breakup of the band in 2001, Che recruited new personnel for a reconstituted Don Caballero in 2003 and released two albums, World Class Listening Problem and Punkgasm on Relapse Records[4] before going on hiatus once again in 2009.
History[edit]
The group's original lineup consisted of Damon Che (drums), Mike Banfield (guitars), and Pat Morris (bass guitar). Its members originally intended to draft a singer and a second guitarist to join the group. However, their early rehearsals generated such interest that the trio was offered paying gigs and decided to remain instrumental.
Che's energetic and unconventional style of drumming was often praised, and earned him the informal title of 'The Octopus' due to the wild flailing of his arms while playing. Critic Steve Huey wrote that 'it was Che's manic explosions and stop-on-a-dime shifts in time signature that mapped out the trail his bandmates followed.'[5]
The three-piece Don Caballero issued two singles for the Pittsburgh-based labels Pop Bus and Broken Giraffe in 1992 before Ian Williams joined as a second guitarist. A recording session with Steve Albini and a deal with the prestigious Chicago based label Touch and Go Records yielded yet another single and then finally their debut album, 1993's For Respect.
In the fall of 1993 bass player Pat Morris left Don Caballero to form the band Six Horse with Louisville transplant Shannon Burns and Blunderbuss drummer Bill Baxter. Throughout 1994 and 1995 a number of Pittsburgh-area musicians filled the bass slot in Don Caballero including Len Jarabeck, Dave Reid, Matt Jencik, and George Draguns. Nas stillmatic album zip download.
In 1995 the band released its second LP Don Caballero 2. The liner notes of the album's promotional CD stated that 'Don Caballero is rock not jazz. Don Caballero is free of solos.'
In the wake of Don Caballero's second full-length, Che and Williams expanded their respective musical palettes: Che with Speaking Canaries (featuring bassist Karl Hendricks and drummer Noah Leger) and Williams with Storm & Stress, an experimental rock trio featuring bassist Eric Emm (Tanlines) and drummer Kevin Shea.
In 1997 the group reconvened after an almost two-year hiatus, with original bassist Pat Morris back in the fold. In the following year the band released the follow-up to Don Caballero 2, What Burns Never Returns. Sap new license key crack.
In the fall of 1998 Pat Morris left the band once again and was replaced by Storm & Stress bassist Eric Emm. The band set out on a number of successful U.S. and European tours and finally released a collection of its singles and compilation tracks called Singles Breaking Up (Vol. Ground strafe script cs 1.6. 1). During this period, Mike Banfield retired from the group; former Bitch Magnet guitarist Jon Fine briefly filled in and allowed Don Caballero to complete its touring obligations in support of What Burns..
The band, once again a trio and now based out of Chicago, Illinois, toured extensively throughout 1999 and 2000, including a performance in Toronto,[6] playing a set of almost all-new material. To fill the void left by Banfield, Williams and Emm played through Akai Headrush pedals that allowed them to loop and layer their parts. These nine new songs were committed to tape by Steve Albini at his Electrical Audio recording studio and released in the fall of 2000 as American Don.
While touring in support of American Don in November 2000, personality issues and fatigue took their toll on the members of Don Caballero and they decided to break up after the tour was completed. The band never made it to what would have been its final show in Detroit, however, as its van hit a patch of ice on Interstate 75, spun out of control and crashed into a semi truck.
Throughout 2001 and 2002, the former members of Don Caballero embarked on a variety of new musical projects: Damon Che with Bellini, Ian Williams with Battles and Eric Emm with Good Morning.
Reformed[edit]
Che reformed Don Caballero in 2003 with an entirely new lineup consisting of members of Pittsburgh's Creta Bourzia. The new members were Jeff Ellsworth on guitar, Gene Doyle on guitar, and Jason Jouver on bass. (Mike Banfield and Pat Morris were invited to participate but both declined).[7]
The new Don Caballero signed with the heavy metal label Relapse Records in 2005 and released the album World Class Listening Problem in early 2006. The group toured in support of the album throughout 2006 and 2007, playing its first shows in the UK and Japan.
Jeff Ellsworth left Don Caballero in 2006 and the remaining trio debuted several new songs (or 'New Shapes' as they called them) in 2007, some of which featured vocals courtesy of Damon Che. The group recorded this new set of music at Rust Belt Recorders in Royal Oak, Michigan in early 2008 and released it as Punkgasm on August 19, 2008. The record contained some ideas taken from the Speaking Canaries sessions. Doyle sang on one of the tracks, Che sang on 'Dirty Looks', while the title track 'Punkgasm' featured Che on guitar and Doyle on drums.
Current status[edit]
Don Caballero has not released new music since 2009, but it has released three albums of archival recordings: Gang Banged With a Headache, and Live[8] (recorded live 2003; released 2012); Five Pairs of Crazy Pants. Wear 'Em: Early Caballero (the band's earliest studio recordings from 1991; released 2014); and Look At Them Ellie Mae Wrists Go!: Live Early Caballero (the band's second live show, recorded 1992; released 2014).
In a 2014 interview with Noisey: Music by Vice, Damon Che indicated that Don Caballero technically still exists as a part-time band, and mulled over the possibility of limited touring and a series of 12' vinyl singles in the future. However, in a 2017 appearance on The Trap Set podcast, Che spoke of Don Caballero entirely in the past tense and indicated that the group 'stopped playing' after a final show in Spain in 2009.
Legacy[edit]
Tomas Haake from Meshuggah and Dave Konopka from Battles have both named What Burns Never Returns as one of their favorite albums, and guitarist Marnie Stern has cited a video of a Don Caballero performance as the inspiration behind her extensive usage of two-handed tapping.[9] The track 'Chief Sitting Duck' from the album For Respect was featured in the second season intro for the reality show Buzzkill on MTV and the program Icon Canon drivers for mac. featured their music more than three years after their 2000 breakup.
Personnel[edit]
|
|
Timeline[edit]
Discography[edit]
Albums[edit]
- For Respect (1993)
- Don Caballero 2 (1995)
- What Burns Never Returns (1998)
- Singles Breaking Up (Vol. 1) (1999)
- American Don (2000)
- World Class Listening Problem (2006)
- Punkgasm (2008)
EPs[edit]
- 'Lucky Father Brown' / 'Belted Sweater' / 'Shoeshine' 7' on Pop Bus (1992)
- 'Unresolved Karma' / 'Puddin' In My Eye' 7' on Broken Giraffe (1992)
- 'Andandandandandandandand' / 'First Hits' 7' on Third Gear (1993)
- 'Our Caballero' / 'My Ten-Year-Old Lady is Giving It Away' 7' on Touch and Go (1993)
- Our Caballero 12'/CD EP on City Slang (1993)
- 'If You've Read Dr. Adder, Then You Know What I Want' 7' EP track on Coat-Tail (1995)
- 'Waltor (live)' / 'Shuman Center 91 (live)' 7' free with Chunklet No. 11 (1996)
- 'Trey Dog's Acid' / 'Room Temperature Lounge' 7' on Touch and Go (1998)
- 'Got A Mile, Got A Mile, Got An Inch (live)' flexi 7' on Joyful Noise (2016)
Songs from all of Don Caballero's EPs (with the exception of the Chunklet and Joyful Noise singles) are collected on Singles Breaking Up (Vol. 1), released in 1999. Both songs from the Chunklet 7' were later included on Look At Them Ellie Mae Wrists Go! in 2014.
Live albums[edit]
- Gang Banged With a Headache, and Live (2012, recorded 2003)
- Five Pairs of Crazy Pants, Wear ‘Em: Early Don Caballero (2014, recorded 1991)
- Look at Them Ellie Mae Wrists Go!: Live Early Caballero (2014, recorded 1992) bonus download
References[edit]
- ^Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN978-1-135-71022-4.CS1 maint: ref=harv (link)
- ^'Don Caballero'. TrouserPress.com. Retrieved 2012-11-28.
- ^'SCTV Network 90 - Season 1, Episode 15: The Godfather'. TV.com. 1981-12-11. Retrieved 2012-11-28.
- ^'Don Caballero : Information'. Facebook.com. Retrieved 8 November 2014.
- ^Huey, Steve. 'Don Caballero - Music Biography, Credits and Discography'. AllMusic. Retrieved 2012-11-28.
- ^'Live Reviews: PW Long / Flashing Lights / Don Caballero / The New Meanies / Danko Jones / Tricky Woo March 6, 1999 The Horseshoe Tavern, Toronto, ON'. Chart Attack, review by Vanessa Lewis
- ^'Music Preview: Instrumental monsters Don Caballero return with revamped lineup - Pittsburgh Post-Gazette'. Post-gazette.com. 2006-05-18. Retrieved 2012-11-28.
- ^'DON CABALLERO : Gang Banged With A Headache, And Live'. Joyfulnoiserecordings.com. Retrieved 8 November 2014.
- ^[1]Archived July 24, 2008, at the Wayback Machine
- ^'George Draguns's Profile'. Broadjam.com. Retrieved 2012-11-27.
External links[edit]
American Don Don Caballero Torrent Online
Wikimedia Commons has media related to Don Caballero. |
Don Caballero American Don
- Don Caballero at Allmusic
American Don Don Caballero Torrent Full
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Don_Caballero&oldid=971813469'